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The Pavilions Of The World Expo Launch New Strategies To Let Tourists Visit The World Expo Openly

2010/6/11 13:37:00 55

World Expo

 


The self portrait of Mexican female painter Frieda Carlo, Rodin's sculpture The Bronze Age, Denmark's "Mermaid"... This World Expo has gathered national treasures from all over the world, but some tourists pass by rare national treasures because they cannot understand "art". How to make more tourists understand? Recently, various venues in the Expo Park have launched new measures.


The biggest feature of the Mexico Pavilion of the World Expo is that it has exhibited a number of cultural treasures rarely seen by the audience, including the sandstone sculpture "Ekate Stone of the Feather Snake God" representing the Vasteca culture; Limestone carving "figure prints with feathers" from the Mayan civilization; The "treasure of the town hall" and the most precious exhibit of the Mexico Pavilion is the self portrait of the famous Mexican female painter Frieda Carlo. Yesterday morning, the reporter saw at the Mexico Pavilion that many tourists hurried past the artwork, and some tourists stopped to play interactive games, but they didn't know the name and origin of the artwork around them.


On June 7, after the closing of the Mexico Pavilion, the staff in the pavilion became busy. It turned out that they were busy installing projection equipment beside some exhibits. Eduardo Seldner Avila, the chief executive officer of Mexico for the 2010 World Expo, said that in the past, when the museum was arranging exhibitions, the Chinese and English introductions of the works of art were posted on the wall behind the works of art. Because there was a distance from the exhibits, some tourists could not read the text introductions and felt they could not understand the exhibits. In view of this phenomenon, in order to keep the walls of the exhibition hall clean and beautiful, in the next week, the museum will install projection equipment in the hall, and project the text introduction of some artworks next to the artworks. In addition, the museum pasted more detailed Chinese and English introductions of some exhibits on the ground below the artworks.

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